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Fabiola Martínez |
| Degrees | PhD. University of the Arts, London, UK MA Anthropology of Art and Visual Culture, University Collage London, UK BA History of Art, Sussex University, UK |
| Specialization | Mexican Art XIX and XX centuries. Art and Visual Culture. |
| Conferences | Forthcoming July 2013 Transatlantic Encounters: Avant-garde discourses in Spain and Latin America International Conference at the Museum Reina Sofia Co-organizer with Paula Barreiro López (CSIC), Jesús Carrillo (Reina Sofía) and Gabriel Pérez Barreiro (Colección Patricia Phelps de Cisneros) September 2012 Art, Criticism and the Forces of Globalization, Wichester School of Art & Tate Liverpool, UK. Paper: “The world according to the surrealist: art and life in a global context.” July 2012 Crossroads in Cultural Studies 2012, Sorbonne Nouvelle University & UNESCO Paris. Paper: “Neo/Post national identities or the fiction(s) of mexicanidad.” March 16 2012 “Identidad, vanguardismo y ruptura: el legado del surrealismo y la abstracción en México.” Seminario de Cultura Visual, CSIC Madrid. March 2012 Peripheral Modernisms, School of Advance Study, University of London. Paper: "Seeking the local in the universal: the paradoxes of abstraction in Mexico." October 2011 Del indigenismo a la interculturalidad: balance del debate identitario en la crítica de arte latinoamericana, Universidad Carlos III, Madrid. Paper: "Las poéticas de la abstracción en México: reflexiones sobre la crítica de Octavio Paz y Luis Cardoza y Aragón" November 2010 Surrealism and the Americas, Sponsored by the Terra Foundation and Rice University, Houston TX. Paper: "Risking Mexicaness: Gerzso’s dialogues with surrealism and abstraction." April 2009 Intersections – 35th Annual Conference Association of Art Historians, Manchester, UK Session Convenor for panel: “Modernism and Antropofagia: Visual Culture and Authenticity in Latin America.” Paper: “Utopian Aesthetics: revisiting modernism from Latin America.” April 2008 Symposium Latin America: the Last Avant-Garde, New York. Co-sponsored by the Department of Art History, The Graduate Centre CUNY and the Department of the History of Art, Yale University. Paper: “Art as Lived Experience: Neo-avant-garde expressions of Mexicanidad.” |
| Publications | 2009. “Avant-garde aesthetics and nationhood: the cultural history of post-revolutionary Mexico (1920 – 1950)”, Book Review in Art History, 32:3 2008. “Legitimizing Difference: mestizaje and criollismo in the construction of national narratives in Mexico”, in Orientes – Occidentes. El arte y la mirada del otro. XXVII Coloquio Internacional de Historia del Arte. Mexico City: Instituto de Investigaciónes Estéticas, UNAM. 2008. ‘Art as lived experience: neo-avant-garde expressions of mexicanidad’, in PART, http://web.gc.cuny.edu/dept/arthi/part/lastavantgarde 2006. “The disciplinary challenges of an ‘all-inclusive’ study of art” (Review of Thinking with Things. Toward a New Vision of Art by Esther Pasztory), Book Review in Art History, 29:5 2001. “Consolidation and Renewal: Otto Samson and the Horniman Museum”, en A. Shelton (ed.) Collectors Individuals and Institutions, London: The Horniman Museum and Gardens. |
| Distinctions | February 2006 Kress Foundation International Travel Fellowship 2001 – 2004 Arts & Humanities Research Council doctoral award |
